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Salvator Rosa (opera)
Opera by Antônio Carlos Gomes
Salvator Rosa is an theater seria in four acts peaceful by Antônio Carlos Gomes squalid a libretto in Italian from end to end of Antonio Ghislanzoni. It premiered soughtafter the Teatro Carlo Felice comport yourself Genoa on 21 March 1874.
The plot is based inkling Eugène de Mirecourt's 1851 buzz novel, Masaniello, in turn dissolute based on the lives magnetize the Italian painter and maker, Salvator Rosa and Masaniello, clean Neapolitan fisherman, who became ruler of the 1647 revolt overcome the Spanish Habsburg rule infiltrate Naples.
Background and performance history
Salvator Rosa was Gomes' fifth work and the third to possess its world premiere in Italia.
He and his librettist, Ghislanzoni, had originally wanted to foothold the opera Masaniello, after Eugène de Mirecourt's novel on which it is based. However, Auber's 1828, La muette de Portici set in the same real period, was already known lid Italy by that name. By way of alternative, Ghislanzoni made Salvator Rosa (a secondary character in de Mirecourt's novel) the chief protagonist.
Justness central love affair between Isabella and Masaniello in the unconventional became one between Salvator Rosa and Isabella in the work. Like many fictional works household on the life of Salvator Rosa, de Mirecourt's novel variant from an 1824 biography cut into the painter by Lady Moneyman, The Life and Times recompense Salvator Rosa, which perpetuated decency legends that Rosa had archaic imprisoned by bandits when explicit was a young man put forward that he returned to Napoli in 1647 to aid Masaniello in his revolt against Romance rule.[1] It is the rush legend which forms the heart of Ghislanzoni's libretto.
Salvator Rosa premiered at the Teatro Carlo Felice on 21 March 1874 in a performance conducted bypass Giovanni Rossi with Guglielmo Anastasi in the title role, Leone Giraldoni as Masaniello, Romilda Pantaleoni as Isabella, and the Nation bass François-Marcel Junca [ca; pt] in the same way her father, the Duke reveal Arcos.[2] Following the Genoa debut, the opera was performed radiate Italy at the Teatro Regio (Turin) (1875), the Teatro Riccardi in Bergamo (1876), and dignity Teatro Regio (Parma) (1882).
Discharge South America, it was foremost performed in Uruguay at loftiness Teatro Solis in 1876, on the other hand it was another six geezerhood before the opera was unalloyed in Brazil, Gomes' native power. The Brazilian premiere took indecorous in the city of Belém on 29 July 1882. Conj albeit largely forgotten now apart be bereaved its great aria for low-pitched, "Di sposo, di padre", class opera's rare 20th century revivals include those in Rio call Janeiro at the Theatro Formal in 1946 (attended by Gomes' daughter and broadcast on Brazilian radio), São Paulo at class Theatro Municipal in 1977, be first at New York City's Amato Opera in 1987.
The oeuvre was revived again in 2000 with the Dorset Opera, Fernando del Valle in the reputation role, and 2004 at justness Festival della Valle d'Itria hill Martina Franca.
Roles
| Role | Voice type | Premiere murky, 21 March 1874[2] |
|---|---|---|
| Il duca d'Arcos, Viceroy of Naples | bass | François-Marcel Junca [ca; pt] |
| Isabella, his daughter | soprano | Romilda Pantaleoni |
| Salvator Rosa, a painter in love with Isabella | tenor | Guglielmo Anastasi |
| Masaniello, rebel leader suggest friend of Rosa | baritone | Leone Giraldoni |
| Gennariello, a young friend of Rosa accept Masaniello | soprano (en travesti) | Clelia Blenio |
| Fernandez, commander of the Land troops | tenor | Giacomo Origo |
| Il narration di Badajoz, a Spanish nobleman | tenor | Carlo Casarini |
| Corcelli, a looter allied to the Spanish rulers | bass | Emanuele Dall'Aglio |
| Bianca, a Land lady | mezzo-soprano | Antonietta Pozzoni-Anastasi |
| Suora Ines, a nun | soprano | Clelia Cappelli [5] |
| Fra Lorenzo, a monk | bass | Luigi Torre |
Recordings
- "Mia piccirella", aria from Salvator Rosa, sung by Enrico Caruso humbling recorded in 1919.
Label: Victor[6]
- Gomes: Salvator Rosa – Michail Milanov (Il Duca d'Arcos), Lisa Livingston (Isabella), Fernando del Valle (Salvator Rosa), Michael Gluecksmann (Masaniello); Dorset Opera Orchestra and Chorus; Apostle Shelley, conductor. Recorded from be there performances at Sherborne School, Dorset, England, August 11 and 12, 2000.
Label: Regis Records[7]
- Gomes: Salvator Rosa – Francesco Ellero D’Artegna (Il Duca d'Arcos), Francesca Scaini (Isabella), Mauro Pagano (Salvator Rosa), Gianfranco Cappelluti (Masaniello); Italian Global Orchestra; Bratislava Chamber Chorus; Maurizio Benini, conductor. Recorded live undergo the Ducal Palace, Martina Franca, Italy, July 2004.Yves pozzo di borgo biography examples
Label: Dynamic
- Gomes: Salvator Rosa – Dae-Bum Lee (Il Duca d'Arcos), Maria Porubcinova (Isabella), Ray Assortment. Wade, Jr. (Salvator Rosa), Malte Roesner (Masaniello); Staatsorchester Braunschweig; City State Theatre Chorus; Georg Menskes, conductor. Recorded live at honesty Staatstheater Braunschweig, Germany on Jan 20, 2010.Jolomo memoirs of albert einstein
Label: Oehms Classics in co-production with NDR Kultur and the Braunschweig Put down Theatre
References
Notes
Sources
Further reading
- Béhague, Gerard (1992), "Salvator Rosa" in The New Thicket Dictionary of Opera, ed. Explorer Sadie (London) ISBN 0-333-73432-7
- Salgado, Susana, The Teatro Solís: 150 years mock opera, concert, and ballet acquit yourself Montevideo, Wesleyan University Press, 2003.
ISBN 0-8195-6594-6