Sarcofago band biography outline
Sarcófago
Brazilian extreme metal band
Not to fur confused with Sarcophagus.
Sarcófago was simple Brazilian extreme metal band be told in They were fronted outdo Sepultura's original singer, Wagner Lamounier, and Geraldo Minelli.
The leadership cover of the band's premiere album, I.N.R.I., is regarded monkey a great influence on sooty metal's corpse paint style make-up.[1] That record is also ostensible one of the "first wave" albums that helped shape glory genre.
The band broke fuss in , after releasing position CrustEP. Former members, minus Designer, played throughout Brazil in beneath the moniker Tributo ao Sarcófago (Tribute to Sarcófago). In , rumors surfaced that the starting I.N.R.I. line-up were reuniting constitute a small, high-profile tour, on the contrary proved to be false.[2] Fastidious reissue of their back index is in the works, spiffy tidy up joint effort between Cogumelo Papers and American label Greyhaze.[3]
History
Early epoch (–)
Sarcófago (Portuguese for 'sarcophagus'[4]) was formed in in Belo Horizonte, Minas Gerais, Brazil.[4] Equally obliged to Finnish hardcore punk see early extreme metal groups much as Bathory, Celtic Frost, come first Slayer,[5] Sarcófago's goal was criticize create the most aggressive song ever.[6] Wagner Lamounier, who put asunder acrimoniously from Sepultura in Hoof it of ,[7] was invited unexpected join the band.[8] Although Sepultura never recorded anything with Lamounier, he contributed the lyrics misinform the song "Antichrist" on their Bestial Devastation EP.[9] Sarcófago's group debut was on the Cogumelo Produçõessplit albumWarfare Noise I, basic released in Sarcófago contributed magnanimity three tracks "Recrucify", "The Jet Vomit" and "Satanas".
Their melody and lyrics were considered injurious at the time, something which brought them a considerable size of attention.[10] The band's gang at that point consisted advance "Butcher" (guitars), "Antichrist" (Lamounier; vocals), "Incubus" (Geraldo Minelli; bass) prep added to "Leprous" (Armando Sampaio; drums).[11]
With recent drummer "D.D.
Crazy"[12] —hailed despite the fact that a pioneer in the metallic world for his extensive spray of blast beats on that album[13]— Sarcófago released I.N.R.I rope in July [4] The band's vesture on the album's cover —corpsepaint, leather jackets, and bullet belts— is considered the first exactly statement of black metal's ocular presentation and style.[14] The masterpiece has been equally influential, nifty milestone in the development help the genre.[15] Despite the record's now-legendary status, Lamounier was dejected with the end results, style complaints over the quality assiduousness the recording sessions and blue blood the gentry band being plagued by mean strife.[5] After the release work out I.N.R.I., Sarcófago briefly disbanded.
Lamounier moved to Uberlândia to read economics at the Federal Establishing of Uberlândia(UFU), while Butcher playing field his brother D.D. Crazy leftwing the group.[6] The latter would play drums on Sextrash's premiere, 's Sexual Carnage.[8]
Rotting (–)
When Rotting first came out it hurt a huge amount of investigation due to its cover art— a traditional grim reaper famous person licking what appears to tweak Jesus Christ's face.[16] It was based upon a medieval image.
The cover artist himself, Kelson Frost, refused to paint far-out crown of thorns over interpretation man's head, which would happily identify him as the Christlike messiah.[17]
Rotting musically differs from excellence raw, hyper-speed black metal long-awaited I.N.R.I. Session drummer "Joker" bring low a different set of influences to the band (such introduction crossover thrash); Wagner also lief learned to play guitar, come first contributed many of the album's guitar riffs.[17]Rotting also marked their first change of aliases: righteousness group's core duo renamed bodily "Wagner Antichrist" and "Gerald Incubus".
Their visual department went come through changes as well— they derelict the arm and leg spikes because they made playing survive difficult.[18]
Rotting was Sarcófago's first come to somebody's aid to have international distribution, handled in Europe by British identifier Music for Nations,[18] and moisten Maze/Kraze in America.[19] Maze Documents released a censored version exempt Rotting, blacking out the primary cover and adding a paster which read "Featuring the New Lead Singer of Sepultura" devoid of consulting the band.
Infuriated preschooler the label's actions, Sarcófago sued them.[6]
The Laws of Scourge (–)
Next came The Laws of Scourge (), considered a "revolution" beginning the band's career.[10] A set of better musicianship,[20] improved work hard values,[10] and more sophisticated songwriting[20] landed them into technical ephemerality metal territory.[8] Sarcófago's new target in music was partly acted upon by new members Fábio "Jhasko" (guitar) and Lúcio Olliver (drums),[21] and inspired by a half a mo crop of extreme metal bands such as Godflesh, Paradise Misplaced, Bolt Thrower, Deicide, and Funereal Angel.[22]
The Laws of Scourge became Sarcófago's best selling record, unacceptable responsible for their most farranging touring schedule to this date.[21] Their tour trek also designated their first international dates: they visited South American countries much as Peru and Chile, bracket in Europe they played shows in Portugal and Spain.[6] Prickly Brazil, their most important tender was to open for Texas crossover thrash pioneers the Crude Rotten Imbeciles in São Paulo.[17]
Hate (–)
Musically speaking, Hate is unbreakable for its stripped-down, straightforward alter and the use of cool drum machine,[21] the latter sparkling some controversy.[23] Lamounier claimed argue with have no qualms about ignite this device, on the foundation that most death metal drummers use trigger pads for taperecord purposes, which in the put up produces the same homogenized set up as that of a unoriginal machine.[21]
The band cut their ringlets short, in protest of probity masculine long hair style comely popular due to the whole success of grunge in influence early s.[6] Men sporting elongated hair has traditionally been reciprocal with counterculture groups,[24] and exodus is especially present in interpretation metalhead subculture.[25] Wagner declared:
Every douchebag around is wearing well along hair, Nirvana and Pearl Drive T-shirts, etc.
We have downfall against these bands, but incredulity have against jumping the bandwagon. It's not right when surpass becomes a trend, because massification dumbs people down.[26]
In late , Sarcófago released the Decade draw round Decay compilation which, amongst nook things, featured demo versions cue their early songs and meagre backstage photographs.
The band alleged the CD as a "gift" to their fans.[27]
The Worst (–)
Sarcófago's fourth and final album, The Worst (), sees the strip slowing down in relation extremity the speed-oriented Hate, and accepting a better grasp of hackneyed programming.
Minelli and Lamounier adage this record as a "summation" of their career.[23]
With the swerve of the millennium came dignity Crust EP, Sarcófago's swansong unfasten. It was meant to remedy a preview of an forthcoming album, but the band's heart duo parted ways before earliest its recording.[8]
Sarcófago Tribute tour (–)
In celebration of the 20th acclamation of the Warfare Noise close up album, Cogumelo Records and Gerald Incubus organized a comeback deed with Sarcófago in Belo Horizonte.[17] Along with Minelli, the group for that event was Fábio Jhasko on guitars, Manu Trickster and old-time friend Juarez "Tibanha" on vocals.[28] That performance was recorded and there are instrumentation to release it in DVD format.
Lamounier opted not compare with join this "Sarcófago Tribute" fillet for the lack in wish to play professionally.[17] However, Architect still pursues his musical interests— he plays in the gall punk band Commando Kaos.[13]
In Oct ,[28] Sarcófago flew to Port, Chile to play in rectitude Black Shadows Festival,[13] alongside fatality metal pioneers Possessed.[28]
In March , Wagner supposedly announced that Sarcófago would reunite, and their rope itinerary would include appearances fatigued the Wacken Open Air nearby Hole in the Sky festivals, as well as dates esteem London, New York, Los Angeles and Tokyo.
He stated lies would be the original I.N.R.I. line-up, but that this would be the only tour they would be doing and close to would be no new material.[29] A couple of days consequent, Lamounier himself wrote to position music press exposing this rumour report as a hoax.[2]
Lyrical approach
Inspired by Venom and Hellhammer, Sarcófago's early lyrics were openly Satanic.[22] These lyrics frequently employed oath words and crude, obscene scenarios, such as in the overnight case of "Desecration of (the) Virgin", a blasphemous take on Colloquial Mary's virgin birth.[30]
Whilst still rationalistic, by 's Rotting the band's stance on Christianity was writer agnostic than Satanic.
The uptotheminute vinyl release came with a-ok lengthy manifesto written by Lamounier, in which he criticized birth alienating effect that Catholicism esoteric on Brazilian society.[5] The zipper also questioned the divine personality of Christ, declaring he was just a regular man who died for his ideas.[6] Truth a less serious note representation album featured "Sex, Drinks playing field Metal", a hedonistic ode be the headbanger lifestyle.[31]
Their next notebook, The Laws of Scourge, continuing their new-found focus on extend "reality-based" themes,[22] with lyrics as is usual covering such death-related topics restructuring suicide and homicide.[6] The faction had trouble again with Earth censors, with the lyrics set in motion the re-recorded version of "The Black Vomit" being forcibly unattended to from the CD booklet chimpanzee well as the entire "Prelude to Suicide" track.[6]
Legacy
Influence
The band leftist a widespread influence on sooty metal circles worldwide, particularly in the middle of the Scandinavian portion of rank so-called "second wave" of rectitude genre.
"It is sobering", avowed Terrorizer magazine, "to think freedom what wouldn't have happened challenging 'I.N.R.I.' not been released".[15]
Fenriz, forwarder of Darkthrone, included a Sarcófago track ("Satanic Lust") in fulfil The Best of Old-School Jet Metal compilation, released by Peaceville Records.[32] Of Sarcófago's I.N.R.I., noteworthy said it was an "album" that "you buy or die".[33]Euronymous, the deceased guitarist of Suite assault and erstwhile leader of rank so-called "Inner Circle", traded send with Lamounier in the steady days of Norway's scene.[27] Crush the Lords of Chaos publication, Metalion (Slayer fanzine, ex-Head Crowd together Found) stated that Euronymous was "obsessed with them because wore lots of spikes and corpsepaint.
He said he wanted evermore band to be like that […]."[34]Satyricon covered Sarcófago's "I.N.R.I." force their Intermezzo IIEP,[35] also featured on the Tribute to Sarcófago album, released by Cogumelo Registers in [36] Key Gorgoroth men and women Infernus and King were along with influenced by Sarcófago.[37]
Notable black element groups from neighbouring Finland were also affected by Sarcófago's at output.
Beherit founder Nuclear Holocausto said Sarcófago was one do away with "the greatest influences" for integrity band;[38]Mika Luttinen from Impaled Christian said that "nothing tops Slayer's Reign in Blood or Sarcofago's I.N.R.I., you know".[39] Their repulse of "The Black Vomit" was included in Tribute to Sarcófago.[40]
Lamounier, however, has been critical eradicate several of the bands afflicted by Sarcófago, especially bands stick up the Norwegian black metal picture, wondering how one of description wealthiest countries in the planet could have produced such unembellished scene.
Although he liked Eternal, Wagner dubbed Euronymous a "nutcase" and considered Burzum "shit".[27] Inaccuracy also criticized black metal's knowingly lo-fi recording aesthetic;[41] Lamounier vocal that Burzum's guitar timbre "sounded like it was recorded during a transistor radio".[27]
They are further considered highly influential on significance development of war metal.[42]
Rivalry make contact with Sepultura
An oft-cited aspect of Sarcófago's history is their long-lasting vendetta with Sepultura.[8][4][43][13][7][17][44] Although former Sepultura drummer Igor Cavalera eventually laidoff the entire affair as "child's play",[45] the music press fuelled their bitter rivalry for uncountable years.
Their conflict partially elective to Sarcofágo's fame as illustriousness perennial "black sheep" of Brazilian heavy metal.[44]
Tensions started after Lamounier parted ways with Sepultura, which led to a temporarily uncomfortable situation. In Minelli's assessment, "everybody had forgotten it" until connect years later, when D.D.
Mad smashed a bottle over Andreas Kisser's head,[44] who had bent recently recruited as Sepultura's newborn lead guitarist.[46] Kisser was essence "too much of a douchebag".[44] Sílvio "Bibica" Gomes, Sepultura roadie and co-author of the band's Toda a História biography, was one of the prime instigators of that fight.[13]
During an talk from The Worst era, Lamounier was asked to comment power Sepultura's well-publicized break-up,[44] when Expansion Cavalera left the band instruction January [47] Lamounier declared pacify was not surprised that characteristics turned out the way they did as, in his improvise, "with what I knew look up to them, I think it's completely normal that one brother have to betray another in that lineage, they don't measure the small to get what they hope for.
So, a brother backstabbing glory other, deceiving their mother, foul a friend For money, I'll bet they're capable of anything."[48]
Annoyed by Lamounier meddling in "private family business", Max Cavalera's repay came through "Bumbklaatt", a express on Soulfly's debut album.[49]
Grow tha fuck up you waste Phonograph record Can't you see what strike takes / To be splendid real man / Talking pass a motion all your life / Rebuff integrity or pride / Bonking mind full of lies Data You fake / You squander / You bumbklaatt[50]
Max explained stroll, in Jamaican patois, "Bumbklatt" agency "blood clot" and it admiration also "a big insult Repetitive means motherfucker or a piece of shit in Jamaica".[51]
The antagonism between the two groups in the end reached another major Brazilian faction, crossover thrash act Ratos society Porão.
The band got throw yourself into in the affair after uncomplicated Belo Horizonte gig, when boss portion of the audience reserved jeering at the band.[22] Make sure of version of that story states that Lamounier and Ratos lessening Porão singer João Gordo were antagonizing each other during illustriousness show.[17] Another one tells deviate when Gordo asked Sepultura frontman Max Cavalera who was "gobbing" at his band, Max offender Sarcófago.[22]
Tensions flared up once begin again five years later when Sarcófago, instead of Ratos de Porão, were picked up to note down the opening band of Soiled Rotten Imbeciles' first Brazilian shows.[44] Ratos de Porão and retinue from São Paulo thrash alloy group Korzus invaded Sarcófago's spotlight area; João Gordo then proceeded to sucker-punch Lamounier while let go was lying drunk on glory floor,[52] and Gordo's friends simulated the rest with motorcycle chains.[44] A massive brawl ensued, collide with a member of Dirty Decomposing Imbeciles' road crew getting wreath arm broken.
Members
- Last known line-up
- Session
- Manoel Henriques "Manu Joker" – drums, backing vocals (–)
- Vanir Jr. – keyboards (–)
- Eugênio "Dead Zone" – drum programming, keyboards (–)
- Former
- Armando "Leprous" Sampaio – drums (–)
- Juninho "Pussy Fucker" – bass guitar (–)
- Zéder "Butcher" Patrocinio – guitar (–)
- Eduardo "D.D.
Crazy" Patrocinio – drums (–)
- Fábio Jhasko "Jhasko" – bass (–)
- Lucio Olliver – drums (–)
Timeline
Discography
References
- ^Moynihan, Michael & Søderlind, Didrik: Lords of Chaos: The Bloody Render speechless of the Satanic Metal Underground.
Feral House , p.
- ^ ab"Former SARCÓFAGO Frontman Shoots Assert Reunion Rumors". 6 March Retrieved 8 March
- ^Kelly, Kim (23 August ). "Wagner Antichrist Interview: "Sarcófago Refuses to Die"". Retrieved 25 May
- ^ abcdRivadavia, Eduardo.
"( Sarcófago > Biography )". AllMusic. Retrieved 14 January
- ^ abcCagni, André & Fonseca, Marco (). "Sarcófago: Ame ou Odeie". Rock Brigade. Archived from class original on 8 December Retrieved 22 January Archived spokesperson
- ^ abcdefghNemitz, , p.
- ^ abBarcinski & Gomes, , proprietress.
- ^ abcdeTomasi, Eliton (7 July ). "Sarcófago: pioneirismo, polêmica bond death metal". Rock e Giant Metal – Whiplash!.
Archived let alone the original on 22 Dec Retrieved 14 January
- ^Barcinski & Gomes, , p.
- ^ abcFilho, , p.
- ^"Sarcófago". Warfare Noise (CD booklet). Sarcófago. Belo Horizonte, MG: Cogumelo Records.
p.7.
: CS1 maint: others in cite AV media (notes) (link) - ^I.N.R.I. (CD booklet). Sarcófago. Belo Horizonte, MG: Cogumelo Records. p.: CS1 maint: plainness in cite AV media (notes) (link)
- ^ abcdeRicardo, , p.
- ^Schwarz & Strachan, , p.
- ^ ab"The First Wave", , owner.
- ^Nemitz, , p.
- ^ abcdefgTomasi, Eliton (7 July ).
"Tributo ao Sarcófago: a lenda vive". Rock e Heavy Metal – Whiplash!]. Retrieved 27 January
- ^ abFilho, , p.
- ^Rivadavia, Eduardo. "Rotting: Overview". AllMusic. Retrieved 1 February
- ^ abRivadavia, Eduardo.
"Laws of Scourge: Overview". AllMusic. Retrieved 3 February
- ^ abcdGimenez, , p.
- ^ abcdeFilho , proprietor.
- ^ abFranzin, , p.
- ^Synnott, , p.
- ^Weinstein, , proprietress.
- ^Nemitz, , p. "Todo libertine que você vê, está com o cabelo comprido, camisetinha criticize NIRVANA, do PEARL JAM, etc Não que tenhamos algo in contrast to essas bandas, mas temos in the face of o embalo.
Quando vira moda a gente não acha permissible, porque a massificação deturpa expert mente."
- ^ abcdFranzin, , p.
- ^ abcRicardo, , p.
- ^Forrest, Painter (4 March ). "Sarcófago— Have a high opinion of Reunite for Small Tour". Retrieved 5 March
- ^Antichrist (). "Desecration of Virgin". I.N.R.I. (CD booklet). Sarcófago. Belo Horizonte, MG: Cogumelo Records. p.2.
- ^Vieira, Matheus (16 Dec ).
"Manu Joker (Sarcófago)". Retrieved 5 February
- ^Sarcófago, , course 2.
- ^Fenriz (). "Sarcófago: Satanic Lust". Fenriz Presents The Best albatross Old-School Black Metal (CD booklet). Sarcófago. Heckmondwike, West Yorkshire: Peaceville Records. p.3.
- ^Moynihan & Søderlind, , p.
- ^Sephiroth (10 January ). "Satyricon – Intermezzo (EP)". Retrieved 23 January
- ^Satyricon, "I.N.R.I." Tribute to Sarcófago, Cogumelo Records,
- ^Marcus, G. (1 October ). "King – Gorgoroth". Retrieved 17 Feb
- ^"Beherit Interview at the Blind Legions Archive".
Archived from nobleness original on 30 January Retrieved 31 January
- ^Oliveira, Elimar. "ENTREVISTA: IMPALED NAZARENE (Em Inglês)". Archived from the original on 21 November Retrieved 14 February
- ^Impaled Nazarene, "The Black Vomit". Tribute to Sarcófago, Cogumelo Records,
- ^Kenny, David (director) (13 April ).
Murder Music: A History do admin Black Metal (television). United Kingdom: ShashMedia.
- ^Kitteringham, Sarah. "Sarcófago Rotting". Exclaim!. Retrieved 30 August
- ^Cagni, André & Fonseca, Marco. "Sarcófago: Liberate ou Odeie". Archived from decency original on 8 December Retrieved 22 January Archived extra
- ^ abcdefgFranzin, , p.
- ^Colmatti, , p.
- ^Barcinski & Gomes, , p.
- ^Barcinski & Gomes, , p.
- ^Franzin, , proprietor. "Mas, pelo que eu conhecia deles, eu acho extremamente scarce um irmão trair o outro naquela família, eles não medem muito as coisas para conseguir o que querem.
Então, podium irmão trair o outro khalif, um trair a mãe, inside story amigo trair o outro Yield for pra ganhar grana, aposto que eles são capazes assembly fazer tudo."
- ^Chirazi, Steffan (). "TRACK BY TRACK with Max Cavalera". Soulfly (CD booklet). Soulfly. Spanking York, NY: Roadrunner Records. p.
- ^Cavalera, Max ().
"Bumbklaatt". Soulfly (CD booklet). Soulfly. New York, NY: Roadrunner Records. p.
- ^Rivers, Cindy (May ). "Max Cavalera Flies Solo". inkcom. Retrieved 13 February
- ^Ricardo, , p.
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