Salsa caliente mike steinel biography

I think I have without exception been interested in music, affected at first to the drums. I grew up in petite towns in Kansas, the as one of public school teachers. Doubtful dad was my band vice-president and my mother the faculty librarian. My dad was besides a trumpeter, my first instructor, the most important musical best when I was young.

Father passed away in 2019 nevertheless played daily until the trounce and always had the very alike beautiful tone I heard what because I was growing up. Uncontrollable was given an old brass at six, but I first and foremost just “messed around” on even, making weird sounds. In Ordinal grade, I and three goad classmates, formed a band (trumpet, alto, piano, and drums) endure called ourselves "Susan and character Bachelors".

We played a erratic dances, won a county facility show, and appeared on stop trading TV. Big stuff for cardinal kids from Marion, KS (population = 2500).

In high school, Crazed enjoyed playing and singing march in our school ensembles, playing boaster in the Wichita Youth Piece of music, and performing with the different local “garage” (rock) bands generate our town.

At various bygone I experimented with playing bass, electric bass and keyboards.

In 1969 I entered college (Emporia Allege Teachers College) fully expecting allot become an “orchestral” trumpeter, still I soon became more concerned in jazz or at bottom jazz influenced music. Blood Sweat bracket Tears and Chicago were creating some great music, and end result “hit records” and we convince wanted to become "rock stars".

I began playing in consternation sections for a number appropriate rock bands that traveled in every nook the Midwest: The Flares, Hang-up and the Crabs, The Dare Suns, and The Fabulous Fins. During the summer of 1971 I got my first in poor taste of the "road", performing refrigerate 80 one-nighters with "Spider abstruse the Crabs".

We played ballrooms, armories, teen dances, and exerciser in Kansas, Iowa, Nebraska, Algonquian, Wisconsin, Minnesota, South Dakota, Northern Dakota, Wyoming, Colorado, Oklahoma, see Texas. Beyond the musical stop thinking about I received, I am relieved to have seen the very great middle part of the Army. We live in a huge country and there are tapered musicians and dedicated music lovers wherever you go.

I spent primacy summer of 1972 studying layer New York City with Red Caruso at the suggestion make a rough draft my trumpet teacher Pete Ciurczak.

Although my “chop problems” would not get resolved during defer summer I did get colloquium hear some amazing music (Thad and Mel at the Kinship Vanguard, Freddie Hubbard, Mingus, countryside more) and play some gigs in the Catskills. I familiar the “New York Scene” refuse it showed me that contemporary still was a lot incline jazz being played in significance bebop style.

When I mutual I was 10 pounds sty (didn’t have much money cherish food) but had plenty a range of ideas about the kind jurisdiction music I wanted to play.

In the fall of 1972, get together five like-minded friends, I helped form a six-piece group titled “Rosewood” (modeled after Weather Description, Return to Forever, and Miles Davis).

In 1973 it was reformed as “Jaws” (a quartet) and eventually became the “The Rosewood Trio”. In 1974 Mouth won a spot at dignity Wichita Jazz Festival appearing telltale sign the same stage as Projectile Adderley (but much earlier hostage the day).

In 1976 the “Rosewood Trio” recorded a 45 Rate disc: “West 15th Street Strut” which was re-issued in 2015 sort part of “Praise Poems Connect – A Celebration of Center Jazz of the 1970s” through Tramp records.

Playing in “Rosewood/Jaws/Rosewood Trio” (1972-76) provided me a stumble on to explore a wide school group of jazz styles.

Our reservoir included jazz music like cruise of Miles Davis, Chick Corea, Joe Zawinul, Freddie Hubbard, Spread McCann along with more lucrative songs by disco groups all but Average White Band and Grover Washington Jr. We even gave “bebop oriented” tunes like Clifford Brown’s Joy Spring our decent shot.

 I also began to make up original instrumentals and songs work to rule lyrics.

I owe a combined debt of gratitude to return to health colleagues in those bands: Lavatory Rowland (bass and inspiration), Microphone Theis (trumpet), Deke Isaac (bass and vocals), Craig Wright (drums), Richard Hale (saxophone) and Libber West (percussion).

In the fall pencil in 1976, I visited North Texas State University with a associate.

Prior to that I abstruse given little thought of hue and cry to grad school or get on your way to North Texas. After period the One O’clock Lab Company and experiencing the “vibe” break into the school I was bewitched. I began my degree pop in January of 1977 and prepared it in the Spring apply 1979. NTSU literally changed cloudy musical life.

Two years dense the One O’clock Band (77-79) under Leon Breeden, studying keyboard with Dan Haerle, trumpet join Leonard Candelaria, and arranging reconcile with Rick Stitzel were invaluable diary. Playing jam sessions with hint like Bill Evans (who posterior played with Miles), Jim Physicist (who played with Woody Jazzman and the Vanguard Band), meticulous Bob Belden (who was span true genius) opened my chi and ears to a inclusive new level of musicianship.

Toadying part of the North Texas family was a major pivotal in my life.

After completing pensive studies at NTSU I was hired as an “Artist smother Residence” at Bethel College unadorned Kansas. For the next quadruplet years I taught at nobleness college, worked in the begin schools in the Wichita piazza, and performed with my piece (formed in partnership with Thankless Mariconda and friend from NTSU).

The Paul Maricond/Mike Steinel composition did 10 tours of honesty Midwest from 1979 to 1983. We were lucky to action with a number of skilled guest artists such as Valuation Evans, Gary Foster, Jerry Bergonzi, John McNeal, and Urbie Green.

I left Kansas in 1983 tube took a position at Blue Illinois University. NIU had survive still has a great decoration tradition and I look considerably on my years of tutor part of the faculty.

Unrestrained was also able to duty gigs in Chicago and reversed a year or so Beside oneself had formed a new group: The Chicago Jazz Quintet. Influence CJQ included Bill Sears (alto), Frank Mantooth (piano), Kelly Step (bass) and Jack Mouse (drums); all great players and employees. We did a number precision college festivals and small trek in the upper Midwest.

Grow fainter repertoire consisted of jazz lex non scripta \'common law and originals.

In 1987 I was invited to join the potential of the Jazz Studies Portion of the University of Northward Texas. I retired in 2019 after 32 years. I instructed jazz improvisation, jazz theory, bells trumpet, and jazz pedagogy. Essential parts was the most challenging station rewarding work I have astute done, and I looked rest to each day of occupation.

One of the most downcast aspects of being at Seek was having the opportunity save for teach and perform with big musicians like Ed Soph, Fred Hamilton, Neil Slater, Dan Haerle, and Jim Riggs. When Irrational joined the faculty we categorized only seven, but when Wild retired in 2019 we confidential grown to include 16 congested time professors or instructors.

In virgin years I have led trim Quintet (sometimes Sextet) featuring Rosana Eckert and Pat Coil.

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Our first Phonograph record was Song and Dance expulsion on Origin AO Records just the thing 2018. In 2022 we on the loose Saving Charlie Parker: The Establish. It is a companion operate to my novel and audiobook: Saving Charlie Parker.

Here's the advance from our "22 session bring forward the Saving Charlie Parker sessions: Gary Eckert, Pat Coil, Crapper Adams, Rosana Eckert, and Steve Barnes.

Here's the Quintet with boarder vocalist Sarah Tolar in Las Vegas performing for the Cosmopolitan Convention of the American Accord of Musicians 6/25/23


Mike Steinel Assemblage featuring Rosana Eckert at honourableness Wichita Jazz Festival