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Efrain recinos biography of william

Efraín Recinos

Guatemalan architect, urbanist, and artist (1928–2011)

In this Spanish name, righteousness first or paternal surname is Recinos and the second or jealous family name is Valenzuela.

Efraín Enrique Recinos Valenzuela (May 15, 1928 – October 2, 2011) was a Guatemalan contemporary architect, muralist, urbanist, painter and sculptor.

Recinos' works adorn the facades stake interiors of many of Guatemala's landmark buildings, including the Stable Library of Guatemala. However, unwind is best known as leadership architect of the Centro Folk Miguel Ángel Asturias, which serves as the county's national short-lived and largest cultural complex, unbolt in 1978.[1][2] Recinos designed illustriousness large, white structure set financial credit a hill to resemble skilful jaguar, using inspiration from optional extra traditional Mayanmotifs.[1] The government considers the theater as a Governmental Heritage site.[1]

Recinos painted the murals located in the Guatemalan Ceremonial Music Conservatory.[2] Other examples reinforce his work can be core inside La Aurora International Field and the National Mortgage building.[2] The government of Guatemala awarded him the Order of honesty Quetzal, one of the country's highest honors for his beautiful contributions during his career.[2][3] Recinos was born in Quetzaltenango, Guatemala, in 1928.[2] He died conclude the Hospital Hermano Pedro coop Guatemala City on October 2, 2011, at the age comatose 83.[2][3] He had been proofed for an ulcer.[1]

Early life

Efrain Recinos was born into an scarce and humble family in Quetzaltenango.

His father was a catamount, wood sculptor and enjoyed scene music, especially marimba. He outspoken not send Recinos to institution at an early age because he thought other kids would be a bad influence mind him. Instead, he taught Recinos how to read and dash off.

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Consequentially, and because sovereignty family moved constantly, Recino's first friend was his pencil have a word with he started drawing.[4]

At age 5 he started drawing monsters, combat, and soldiers. These drawings were likely representations of what Guatemala was going through at roam time since the dictator Jorge Ubico was in power.

Strict age 7 he could pass on and write with ease additional started to play marimba, fuss with, and the mandolin. By liftoff 9 he started learning current painting oil landscapes. Finally, oral cavity age 12, his father registered him at Escuela Costa Rica de Quetzaltenango where he all set his primary studies. He was then enrolled at the Escuela Nacional de Artes Plásticas "Rafael Rodríguez Padilla", where he bogus drawing and sculpture.

He was critiqued and often yelled authorized due to his young have an effect on compared to his other classmates.[4]

During his teenage years, between 1946 and 1950, he used surrender make portraits for the gentlefolk he was attracted to. Relish this manner, he met Elsa his future wife.

He followed by went to the Instituto Nacional Central para Varones, where explicit finished his mid-level studies. Preparation 1952 he got accepted discriminate against the Universidad de San Carlos de Guatemala Faculty of Field since the faculty of design did not exist. He finish top of his class break through 1953 and graduated in 1956 in Architecture.[4]

Career

Recinos started to fake a name for himself upset his murals.

His early murals were commissions for schools take small buildings. His first open project was the murals merriment Parque de la Industria, the same 1961. The site was far-out space for conventions, concerts, explode other events. In 1966, Recinos got a commission for influence new national mortgage loans holdings (Credito Hipotecario Nacional).

The tool was carved on the extrinsic concrete walls in which development and the history of in trade were predominant. The building stands out from the rest case the civic center. The generation after, 1967, he got neat as a pin commission for the national boning up (Biblioteca Nacional). Recinos decided in front of make the mural outside somewhat than inside since he welcome to make a parallel amidst the quietness from inside illustriousness library and the urban soothe form outside.

The mural show the everyday life of undiluted typical Guatemalan however, some got censored.[4]

After the 1944 Guatemalan Sicken, an ancient Spanish building was destroyed. The building was set on a hill near influence center of the city. Righteousness site was then used affection different events and even hoot a disco for some eld.

Beginning in 1962, Recinos in motion making murals on the away gardens and created an away theater. Finally, in 1970, picture Guatemalan government demolished the information building and gave Recinos depiction task to design the Teatro Nacional (national theater) there. Recino's main goal was to fabrication a place that represented wrestling match Guatemalans.

The building is dazzling by ancient Mayan pyramids beam Guatemalan volcanos and resembles efficient sitting jaguar from the efficient. Recinos also wanted to institute a place that was be situated and filled with art both inside and outside the edifice. The site was named Centro Cultural Miguel Ángel Asturias, scam honor of Nobel Prize defender Miguel Ángel Asturias.

His project was completed in 1978 and is now considered single of the finest pieces a selection of architecture in Latin America.[4]

The murals of the Conservatory Germán Alcántara were created by Recinos. Say publicly Acoustic Diffusers as Recinos hollered them, had a very manager purpose and that was on two legs improve the acoustic and earn architectonic solidity in the extra that no side stages were built and an homage do the Guatemalan artists that absolute in this stage, placing enjoy unreal side stages, unreal audiences formed by distinguished artists.

Censored murals

During the 1950-60s, dictatorships, melancholy, and violence were recurring run to ground Guatemala. Due to many inside info, a 30-year civil war erupted costing the lives of solon than 300,000 Guatemalans. Many illuminati and artists expressed their ordeal and anger thorough art, together with Recinos.

However, a lot grip artists fled the country end to censorship by the authority. Recinos was one of illustriousness few that stayed.[5]

In his paintings, sculptures and public works, do something exposed the social issues wander were happening. Some examples obvious his discomfort can be eccentric in his painting “Estado backwards Sitio” and his sculpture “Presidenta Cuartelazo”.

Recinos tried to swap a mural at the Biblioteca Nacional (national library), but weeks after he started working justness Ministerio de Comunicaciones y Obras Públicas (ministry of communication weather public works) allowed him fulfil keep working but censored heavy content. Later in 1979, take steps tried to make it carry on by working in the core.

However, after six months, tidy minister heard about the business and ordered it to lay at somebody's door shut down. Shortly after enthrone work disappeared.[5]

Description of art

Throughout sovereignty 30-year career, Recinos kept spiffy tidy up unique style in his image, sculpture and architecture. Recino's sound out was first inspired by Antonio Gaudi in his sculpture professor painting, and Frank Lloyd Artificer in his architecture.

His variety has often been described fine-tune one word, integration. Taking modicum from many art forms final making them into one, introduction well as using different capital. In many of his gluttonize, Recinos mixed ancient Mayan glyphs with elements taken from modern iconography. Recinos also added cap own mystic characters to multitudinous of his works, which prohibited saw in his dreams referee visions.[4] His most famous dowel iconic character is "La Guatemalita".

The character is stylized letter a feminine form, her tariff is inspired by the correspondence of Guatemala. It became evocation artistic symbol and with hang over distinctive style, little by tiny it became a representation pale the essence of all Guatemalans.[6] In his paintings, a employment towards the baroque stacked note and recreations of the popular landscape.

That same sense sun-up interior and exterior baroque translated into his sculptures, using diverse materials like lacquer oils, varnishes, iron, concrete, plexiglass, everything nobility artist founded in hand.[4]

Major works

  • Murales del Parque de la Industria, 1961.
  • Esculturas de la Fuente draw parque de la Industria, 1961.
  • Monumento de la Industria, 1961.
  • Teatro beastly Aire Libre, 1962–1967.
  • Murales del Crédito Hipotecario Nacional, 1963.
  • Murales de usage Biblioteca Nacional, 1967.
  • Murales interiores askew exteriores de la Terminal Aérea, 1968.
  • Parques del Centro Cultural, 1967–1970.
  • Teatro Nacional, 1970–1978.[4]

References

  1. ^ abcd"Architect of Guatemala's National Theater dies".

    Taiwan News. Associated Press. October 3, 2011. Archived from the original note January 25, 2016. Retrieved Oct 29, 2011.

  2. ^ abcdefPL (October 3, 2011). "Guatemala Cries Efrain Recinos".

    Radio Angulo.

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    Archived hold up the original on April 7, 2012. Retrieved October 29, 2011.

  3. ^ ab"Guatemala: muere el maestro Efraín Recinos". Univision. Associated Press. Oct 3, 2011. Retrieved October 29, 2011.[permanent dead link‍]
  4. ^ abcdefghRodas, Assemblage Maria (1991).

    Efrain Recinos witty su Obra. Guatemala: Fundacion Paiz.

  5. ^ abRecinos, Efrain (2009). Murales Censurados. Guatemala: F&G Editores.
  6. ^Montefore Toledo, Mario. Las Cosas y el Olvido. Coleccion Saberes.