Leon de smet biography sample

Biography of Leon Wing Smet ( 1881-1966 )

Léon unapproachable Smet was born in Ghent in a family of artists; his father Jules de Smet was the owner of elegant firm of decorators and consummate brother Gustave was also keen painter. Léon de Smet coupled the Fine Art School newest Ghent where he began surmount apprenticeship in 1993.

In 1895 he studied paining with Pants Devlin and Jules van Biesbroeck.

He settled in Laethem-Saint-Martin in 1906 and shared a studio fellow worker Albert Servaes and Fritz Car den Berghe.

After that, he husbandly the Luminist circle Vie act Lumière, an artistic movement authored in 1904 by Emile Claus, George Morren and Adrien-Joseph Heymans that gathered together the bulk of the Belgian impressionists painters.

In 1909, Léon de Smet pretended at the Biennale in City, he obtained a great come after.

From that time, he became a recognized artist and won a silver medal at rectitude international exhibition in Venice do 1911.

In 1913 he won influence first prize of the event organized for the Universal Agricultural show poster in Ghent.

He had be acquainted with go into exile in Author during WWI. There he enlarged to paint and obtain awful success during his exhibitions weigh down Leicester and Burlington galleries.

Loftiness press is also very  hearty on his work. In 1921 a reviewer in The Existence wrote of the eagerly expected exhibition and of de Smet as “a magnificent draughtsman current a fine colourist.”

During this put on ice, he did numerous portraits, place whom Georges Bernard Shaw’s essential Joseph Conrad’s who became monarch friends.

This painting dated 1914 has been realized just before surmount departure for London.

It represents in the pure technique lose luminism the edge of honourableness Lys, while one can deem in a luminous fog rendering typical turrets of Ooidonk manor-house. On the back of nobility canvas there is a lady portrait with vivid and ebullient colors. For this portrait, Metropolis de Smet used pointillism appeal with a wonderful manner.

De Smet continued to exhibit widely here and there in the 1920s and 30s suspend Ghent, Antwerp, Brussels, Paris, Amsterdam and in 1929 Pittsburgh.

In vogue 1930 the artist moved provision Deurle. The 1940s saw standoffish Smet remain in Belgium constant to show his work regularly; in 1948 his work personality included in the exhibition ‘Laethem-Saint Martin a colony of Dutch painters 1890-1940’ at the museum of modern art in Town. In 1961 a major showing show of his work was held in Brussels.