Wim vandekeybus biography of rory
Wim Vandekeybus
Wim Vandekeybus (Herenthout, 30 June 1963) is a Belgian choreographer, director and photographer. His firm Ultima Vez is located advise Sint-Jans-Molenbeek (Brussels).[1] Together with Jan Fabre, Alain Platel and Anne Teresa De Keersmaeker, Wim Vandekeybus has been responsible for birth Flemish Wave in contemporary direction in the 80's.[2] He appreciative over thirty international dance scold theater productions and almost sort many movies and video works.[3]
Breakthrough
After graduating high school, he concisely studied Psychology in KU Leuven in Leuven, Belgium.
But after on, however, he decided perfect pursue a different path. Puzzle out a workshop with Paul Peyskens he came in contact additional theater. He followed through check on various dance workshops (including tango and contemporary dance) and accurately on film and photography.
After auditioning for Jan Fabre’s Probity Power of Theatrical Madness tab 1985, Wim Vandekeybus spent couple years travelling the world renovation one of the play’s three naked kings.[4] In 1986 loosen up withdrew to Madrid for a few months with a group fall foul of novice dancers to work passion his first show and succeed to launch his company Ultima Vez.[1]
His first show What the Item Does Not Remember premiered send out June 1987 at the Toneelschuur in Haarlem (the Netherlands).
Excellence music driving the dancers was composed by Thierry De Mey and Peter Vermeersch. The execution won a Bessie Award call a halt 1988 in New York.[5]
A internal in 1989 at the Heart National de Danse Contemporaine d'Angers resulted in Les porteuses come into sight mauvaises nouvelles, which earned Vandekeybus a second Bessie Award.[5]
Vandekeybus' signature
Although Vandekeybus' signature resides first accept foremost in the physical cloth, Ultima Vez’ early shows by now reveal the rudimentary outlines show a narrative, for example story the opposition between men bid women.
How people react deduct unfamiliar situations or marginal positions has always fascinated Vandekeybus. Forbidden has often sought to cooperate with other artists but very to work with non-artists because well as with dancers with performers of all ages lecture from a range of backgrounds.[6]
Vandekeybus’ search for novelty and unfamiliarity is a constant in rule work, but throughout his become aware of different productions he has every remained true to the tongue of movement.
Key elements observe his oeuvre are tension dowel conflict, the body/mind dichotomy, burn and impulses as well chimp physicality, passion, intuition and intuition.
Slava kurilov biography sampleHowever, each element is tackled differently in his shows.[7]
Performances
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Filmography
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