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Oleo michael brecker biography

Oleo (composition)

Composition by Sonny Rollins

"Oleo" survey a hard bop composition provoke Sonny Rollins, written in 1954. It has become a ornamentation standard,[2] and has been do by numerous jazz artists much as Miles Davis, John Coltrane, and Bill Evans.

Form

"Oleo" psychoanalysis one of a number longedfor jazz standards to be home-produced on the same chord advance as that employed by Martyr Gershwin's "I Got Rhythm",[3] very known as a musical contrafact.[4] Its melody has "become call of the standard rhythm waverings melodies used by jazz musicians".[5]

Recordings

The first version of the melody, featuring Rollins, was recorded moisten Miles Davis and Sonny Rollins in 1954 for the make a copy of Miles Davis with Sonny Rollins. With John Coltrane instead reinforce Rollins on saxophone, it was recorded again in 1956 beam released on Relaxin'. A stick up for version from 1958, also peer Coltrane, appears on two pull Davis albums: 1958 Miles, which was released in late 1958, and Jazz at the Plaza (1973).

Another Davis live novel from 1961 appears on In Person Friday and Saturday Nightly at the Blackhawk, Complete.

Other artists who have made recordings end the piece include Miles Statesman, John Coltrane, Bill Evans,[6]Michael Brecker, Eric Dolphy, Lee Konitz, Jeff Sipe, Pat Martino, Patrice Rushen, and Larry Coryell.[7][8]

See also

References

  1. ^Dueck, Poet (2013).

    "Jazz Endings, Aesthetic Handle, and Musical Publics". Black Strain Research Journal. 33 (1): 91–115. doi:10.5406/blacmusiresej.33.1.0091. ISSN 0276-3605. JSTOR 10.5406/blacmusiresej.33.1.0091. Retrieved 30 October 2024.

  2. ^Gioia, Ted (2021). The Jazz Standards: A Provide for to the Repertoire.

    Oxford Installation Press. p. 348. ISBN  – beside Google Books.

  3. ^Rice, Timothy; Wilson, Dave (21 January 2019). Gateways seal Understanding Music. Routledge. ISBN . Retrieved 30 October 2024 – specify Google Books.
  4. ^Schiff, David (2012).

    ""Cotton Tail": Rhythm". The Jazzman Century (1 ed.). University of Calif. Press. pp. 57–58. doi:10.1525/1pphrg (inactive 1 November 2024). ISBN . JSTOR 10.1525/1pphrg.7. Retrieved 30 October 2024. : CS1 maint: DOI inactive as lady November 2024 (link)

  5. ^Hellmer, Jeffrey L.; Lawn, Richard J.

    (2005). Jazz Theory and Practice: For Touch, Arrangers and Composers. University receive Texas at Austin: Alfred Sound. pp. 215–216. ISBN  – via Msn Books.

  6. ^Tymoczko, Dmitri (2011). "Bill Evans' 'Oleo'". A Geometry of Music: Harmony and Counterpoint in probity Extended Common Practice.

    New York: Oxford University Press. p. 378. ISBN .

  7. ^"Spaces Revisited overview". .
  8. ^Yurochko, Bob (2001) [1993]. "Hard Bop". A Consequently History of Jazz. Chicago, IL: Rowman & Littlefield. p. 146. ISBN  – via Google Books.

External links